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The
year is 2000. 70s fashions are hip again, Sylvester Stallone is
in his late 20s, and Americans really hate the French. Well at least
these guys got one thing right when trying to predict the future.
Made in 1975, Death Race 2000 is the story of a futuristic cross-country
race in which racers attempt to hit as many innocent pedestrians
as possible. We've also changed our name to the "United Provinces
of America", and "Mr. President" has been in power
since 1979.
The real important thing about this fantasy future
is America's continually escalating love of violence, competitive
sports, and vehicular mayhem. This national bloodlust is reflected
in "The Race", the cross-country killing fest that is
the main subject of this movie. It doesn't sound funny, but cult
film legend Roger Corman seems to be able to pump his own brand
of dark humor into any subject. Corman, who produced this picture,
had previously teamed up with screenwriter Charles Griffith to create
several other films, including A
Bucket of Blood, which we reviewed just a few weeks ago.
Like many of Corman's other B Movies, Death
Race has become a cult classic, and for good reason. The campy
qualities of this film just can't be overstated, because the movie
doesn't come close to seriousness even for second. It's hard to
feel bad for any of the people that get run over, because it's just
so entertaining to watch them die. This movie was made on a fairly
small budget, so the deaths are obviously very fake looking, and
are all very funny. Take, for instance, the so-called "euthanasia
day" at the geriatrics hospital. Doctors and nurses casually
move the elderly into the street to be "scored" by a popular
driver (Seniors are worth the most points). Rather than take the
easy 700 points, the driver, known as Frankenstein because he's
had so many body parts replaced, opts to run over the doctors and
nurses instead. What follows is a few minutes of TV hosts analyzing
the move, and they come to the conclusion that Frankenstein has
a "100% red-blooded American sense of humor".
Death Race doesn't really just on people
getting run over for laughs, though. The movie is filled with humorous
social commentary and parody, such as the "Bipartisan Party",
the only political and religious force of the new "United Provinces
of America." Sylvester Stallone's typical tough-guy persona
works well here, and David Carradine isn't too bad as the star driver
Frankenstein either. Stallone's character is perpetually annoyed
by Frankenstein, and makes half-hearted attempts to confront his
fans and supporters throughout the race, but is too afraid to confront
Frankenstein directly.
Like most of Roger Corman's films, Death Race
2000 was made on a rather low budget. Corman was very good
at making the most of limited funds, and by the time Death Race
rolled around he had more experience making successful low-budget
movies than anyone before him, and arguably anyone since. This talent
really pays off in films like this one. The cars, though most are
just plain old consumer vehicles with some minor body work, look
pretty convincing as fast moving, pedestrian slaughtering station
wagons of death. The sets and casting were pretty good, too. Certain
things, like the futuristic backgrounds at the beginning of the
movie, and the pedestrians getting run over, look very fake and
cheesy. That's not necessarily a bad thing, as the cheesy deaths
add quite a lot to the appeal of the movie.
As is the case with most of the Charles Griffith/Roger
Corman collaborations, Death Race 2000 is a darkly comical
film with moments of both sheer insanity and subtle (or not so subtle)
social commentary. The blend of slapstick humor, parody, and just
plain campiness put this movie among Corman's finest. The final
grade:
| Acting |
Script |
Editing |
Effects |
Final Score |
| B |
B |
B |
C |
B |
Stats &
Info
Rating: Rated R
Rarity: Common
Genre: Action/Sci-Fi
Released: 1975
Country of Origin: USA
Video: Color; Fullscreen (1.33:1)
Audio: English
Plot: Transcontinental vehicular slaughterfest
through a future American nation
How Bad Is It? - The visual and audio effects are
somewhat lacking, but a good story and decent acting make up for
it. But there is a giant easter egg. And tiny people. It's not that
bad, I swear.
Screenshots
Related External Links
More Roger Corman Films
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